"The Wild Duck Chase "takes readers into the peculiar world of
competitive duck painting as it played out during the 2010 Federal Duck
Stamp Contest-the only juried art competition run by the U.S.
government. Since 1934, the duck stamp, which is bought annually by
hunters to certify their hunting license, has generated more than $750
million, and 98 cents of each collected dollar has been used to help
purchase or lease 5.3 million acres of waterfowl habitat in the U.S.-the
core of the National Wildlife Refuge System.
As Martin J. Smith
chronicles in his revealing narrative, within the microcosm of the duck
stamp contest are intense ideological and cultural clashes between the
mostly rural hunters who buy the stamps and the mostly suburban and
urban birders and conservationists who decry the hunting of waterfowl.
At issue is preserving the habitat of ducks and other waterfowl for all
to enjoy: If the number of hunters continues to decrease-and unless
nature lovers support the duck stamp program-this landmark conservation
effort faces possible extinction.
The competition also fuels dynamic
tensions between competitors and judges, and among the invariably
ambitious, sometimes obsessive, and often eccentric artists-including
Minnesota's three fabled Hautman brothers, the "New York Yankees" of
competitive duck painting. Martin Smith takes readers down an arcane and
uniquely American rabbit hole into a wonderland of talent, ego, art,
controversy, scandal, big money, and migratory waterfowl.
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